(792)
Akhtamar,
(16)
Akhtamar,
(16)
Ambert,
(8)
Ambert,
(8)
Ambert,
(8)
Arinj (96)
Armenia (1)
Armenian Persecutions, 020915 (4)
Armenian Persecutions, 060715 (2)
Armenian Persecutions, 140715 (2)
Armenian Persecutions, 150715 (3)
Armenian Persecutions, 180815 (1)
Armenian Uprising Movement (5)
Arshakid Mausoleum (1)
Aruchavank (1)
Asia Minor (1)
Caspian Sea (1)
Caucasus (1)
Erebouni (1)
Etchmiadzin,
(14)
Etchmiadzin,
(14)
Gandzasar,
(9)
Gandzasar,
(9)
Garni,
(8)
Garni,
(8)
Gayane,
(9)
Gayane,
(9)
Geghard,
(34)
Geghard,
(34)
Georgia (1)
Goshavank,
(15)
Goshavank,
(15)
Greek Charge d'affairs Statement (3)
Greek Persecutions (2)
Haghartzin,
(25)
Haghartzin,
(25)
Haghpat,
(18)
Haghpat,
(18)
Haritchavank (1)
Hayravank,
(35)
Hayravank,
(35)
Hayravank,
(35)
Holy Virgin,
(22)
Holy Virgin,
(22)
Holy Virgin,
(22)
Holy Virgin,
(18)
Homiliarium (MS7729) (1)
Hovhannavank,
(17)
Hovhannavank,
(17)
Hripsime,
(8)
Hripsime,
(8)
Khor Virap,
(5)
Khor Virap,
(5)
Kosh,
(7)
Kosh,
(7)
Lectionary (MS4519) (1)
Lectionary (MS7408) (1)
Lectionary (MS7741) (1)
Lectionary (MS979) (1)
Media (1)
Miscellany (MS179) (1)
Narekatsi (MS3863) (1)
New Testament (MS6792) (1)
Noravank,
(10)
Noravank,
(10)
Persia (1)
Ptghavank (1)
Romanian and Bulgarian Stand (2)
Saghmosavank,
(24)
Saghmosavank,
(24)
Sanahin,
(16)
Sanahin,
(16)
Sevanavank,
(46)
Sevanavank,
(46)
St John,
(6)
St John,
(6)
St Sarkis,
(2)
St Sarkis,
(2)
St Stepanos (1)
Talin Cathedral,
(5)
Talin Cathedral,
(5)
Talin Kamsarakan,
(2)
Talin Kamsarakan,
(2)
Tegher,
(5)
Tegher,
(5)
Thaddeus (1)
The Bible (MS180) (1)
The Bible (MS206) (1)
The Bible (MS2705) (1)
The Bible (MS345) (1)
The Bible (MS346) (1)
The Bible (MS6230) (1)
The Events in Armenia (1)
The Gospels (MS10359) (1)
The Gospels (MS10675) (1)
The Gospels (MS1519) (1)
The Gospels (MS197) (1)
The Gospels (MS212) (1)
The Gospels (MS2743) (1)
The Gospels (MS2744) (1)
The Gospels (MS2929) (1)
The Gospels (MS2930) (1)
The Gospels (MS3033) (1)
The Gospels (MS316) (1)
The Gospels (MS318) (1)
The Gospels (MS3717) (1)
The Gospels (MS3722) (1)
The Gospels (MS378) (1)
The Gospels (MS4023) (1)
The Gospels (MS4060) (1)
The Gospels (MS4509) (1)
The Gospels (MS4806) (1)
The Gospels (MS4813) (1)
The Gospels (MS4814) (1)
The Gospels (MS4818) (1)
The Gospels (MS4820) (1)
The Gospels (MS4823) (1)
The Gospels (MS5332) (1)
The Gospels (MS5458) (1)
The Gospels (MS5784) (1)
The Gospels (MS5786) (1)
The Gospels (MS6288) (1)
The Gospels (MS6289) (1)
The Gospels (MS6290) (1)
The Gospels (MS6303) (1)
The Gospels (MS6305) (1)
The Gospels (MS6319) (1)
The Gospels (MS6402) (1)
The Gospels (MS7456) (1)
The Gospels (MS7482) (1)
The Gospels (MS7628) (1)
The Gospels (MS7629) (1)
The Gospels (MS7644) (1)
The Gospels (MS7644a) (1)
The Gospels (MS7648) (1)
The Gospels (MS7651) (1)
The Gospels (MS7664) (1)
The Gospels (MS7699) (1)
The Gospels (MS7700) (1)
The Gospels (MS7740) (1)
The Gospels (MS8321) (1)
The Gospels (MS8772) (1)
The Gospels (MS9422) (1)
The Opening of the Turkish Parliament (1)
The Psalms (MS1203) (1)
Turkish Empire (1)
World (1)
Zvartnots (1)
Narekatsi (MS3863)
New Testament (MS6792)
Noravank (khatchkar)
Noravank
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Klostret Noravank
Grundat: 1100
Region: �starmenien
Provins: Vayots Dzor
Stad: Amaghou
Plats: Amaghou
Senaste uppdatering: 2006-12-19
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Khatchkar
Plats: Noravank (Amaghou)
Ursprung:
Skulptör: N/A
Datum: 14-C
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New Testament (MS6792)�Nya Testamentet (MS6792)�E. Korkhmazian, I. Drampian, G. Hakopian, "Armenian Manuscripts of the 13th and 14th centuries", Matenadaran Collection, Leningrad, 1984
Land: Sverige
Arkiv: 2
Departement: N/A
Katalog: N/A
Dokument Nr.: Momik�Momik�Momik�Momik
Dokumenttyp: The manuscript was owned by a well-known historian and political figure of thirteenth- and fourteenth-century Armenia, Stepanos Orbelian.�Manuskriptet ägdes av en välkänd historiker och politisk figur under 1200- och 1300-talets Armenien, Stepanos Orbelian.
Antal sidor: The nativity�Jesu födelse
Dokumentdatum: 0-Contrary to the iconographic canon the figure of St. Joseph is placed in the centre of the composition, right over the figures of the Virgin and Child, instead of in the usual left corner. This arrangement of the figures was supposed to emphasize the importance of St. Joseph.�Till skillnad från den ikonografiska kanonen, är S:t Josefs figur placerad i mitten av kompositionen, rakt över Jungfruns och Jesubarnet, istället för det vanliga vänstra hörnet. Detta arrangemang av figurer skulle föreslå betydelsen hos S:t Josef.-1302�
Från: 1
Till: N/A
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Narekatsi (MS3863)�Narekatsi (MS3863)�E. Korkhmazian, I. Drampian, G. Hakopian, "Armenian Manuscripts of the 13th and 14th centuries", Matenadaran Collection, Leningrad, 1984
Land: Sverige
Arkiv: 15
Departement: N/A
Katalog: N/A
Dokument Nr.: Stepanos�Stepanos�Hovhannes�Hovhannes
Dokumenttyp: Although on the whole the miniatures in the manuscript conform to the current iconographic tradition, the treatment of characters and the general artistic manner bear a clear mark of the author's individuality. The latter is first and foremost manifest in his tentative but quite successful attempt to render the visual effect of depth and volume by means of the chiaroscuro technique, which means that he was familiar with contemporary Italian art.�Även om i sin helhet motsvarar miniatyrerna i manuskriptet den ikonografiska traditionen, bär behandlingen av karaktärerna och det generella konstnärliga sättet ett tydligt märke tillhörande författarens individualitet. Den senare syns först och främst i hans tentativa men ganska framgångsrika försök att återge den visuella effekten av djup och volym genom klärobskyr teknik, vilket innebär att han var bekant med samtida italiensk konst.
Antal sidor: The Crucifixion�Korsfärtelsen
Dokumentdatum: 0-This miniature serves as a perfect illustration of Hovhannes's style. His greatest success in so far as this scene is concerned is the image of the Virgin. The gently modelled face and hands, the graceful shape of her body, the skilfully rendered folds of her robe and cloak reminiscent of antique sculpture, and above all the emotional expressiveness of her figure and face bear witness to the artist's preference for the Proto-Renaissance art. At the same time Hovhannes was not yet completely free from the conventions of the old tradition; a realistic depiction of a nude body was still beyond his capacity, and the treatment of some compositional details remained rather schematic if not naive.�Miniatyren är ett perfekt exemplar av Hovhannes stil. Hans största framgång vad det gälelr denna scen är Jungfruns bild. Det varsamt modellerade ansiktet och händerna, hennes graciösa kroppsform, de skickligt återgivna väcken i hennes kappa påminner om antika skulpturer och, framför allt, vittnar det känlomässiga uttrycket i hennes ansikte och figur om konstnärens förkärlek för proto-renäsans konst. Samtidigt var Hovhannes inte helt fri från den gamla traditionens konventioner; en realistisk återgivning av en naken kropp var fortfarande bortom hans förmåga och behandlingen av vissa kompositionella detaljer återstod rätt schematiska, om inte naiva.-1401�
Från: 1
Till: N/A
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